In Clint Eastwood’s Invictus, unity is defined by patriotism. Love and loyalty are shown in the sense of social harmony and inclusion.
It’s also the joyous feeling that comes with a win, whether it be sporting or not. As the film comes to a triumphant close, the movie audience is encouraged to recognize that tensions and hostility of old are gone and that a new sense of pride and enjoyment has taken their place. Eastwood uses minor character portrayals to show how national unity is a result from people’s willingness to forgive. As the Springboks’ negative image is slowly rehabilitated, their path to victory as well as their win in rugby championships also serve to unite South Africans in celebration. Nelson Mandela’s persuasive words and actions are portrayed in the film as having played a major role in bringing South Africans together.
Eastwood shows that South Africans can experience joy and satisfaction by letting go of their past. The film’s linear progress, from racial discrimination and unrest to celebrating Springboks’ victory, clearly conveys this message. Eastwood’s opening scene shows the sun rising in front of dilapidated makeshift houses in impoverished suburbs. It is a symbolic representation of the newfound hope South Africa now has with Mandela assuming the presidency. This shot also signals the dawning of the new day in South African’s history and the close of the darkest chapter. After apartheid, the era of entrenched social segregation was over. Eastwood uses Sipho as a minor character to illustrate how forgiveness brings individual happiness and satisfaction. Sipho appears to be an orphan when he is first seen by moviegoers. Eastwood’s use of this scene allows discerning audiences to connect his traumatic, tragic past to the violent apartheid. Sipho relies on the charity box of his church to buy warm clothes, which is insulting. As the camera zooms into his face, viewers can see the extent of the social segregation. Sipho’s quick turn and run away from the Springboks jersey makes it clear that rugby and the Springboks are not something black South Africans wish to associate themselves with. In the end, however, due to the combined efforts of Mandela and Pienaar, social division is displaced in favor of cohesion. Eastwood has used Sipho again to show this stark contrast. Sipho, a policeman’s radio operator, is shown trying to secretly listen to the broadcasting of the Rugby World Cup final outside the stadium. He is shown celebrating when the Springboks triumph. The team and sport are no longer a source for tension or friction. Eastwood uses Sipho, a black child who is a representative of the entire race, to express the idea that Sipho represents the hope and future for the country. South Africa’s unification is therefore portrayed as dependent on forgiveness, healing and a change in individual attitudes.
Invictus is filled with a detailed account of the Springboks’ achievement. The movie shows how their triumph is widely shared and a huge win for social harmony. Eastwood shows the Springboks toppling the myth that they are an inexperienced, under-performing team. They have been criticized in the media for not being worthy of wearing the prestigious green and gold. The Springboks discover that they are the reason for the unity of the nation. Also, they grow to accept and include blacks. The film’s focus is on the team’s training and interaction, but movie viewers can see them wearing South Africa colors as they represent the country. Despite the outward appearances of the team, Pienaar often had a disagreement with them, as the white Afrikaners refused to learn or accept the South African National Anthem. Eastwood’s depiction of the Springboks singing the national anthem at the World Cup Final is a striking example of this idea. Eastwood frames the moment in a low perspective, which makes the athletes appear even more imposing, heroic and distinguished. This idea is repeated again in the triumph scene. Eastwood cuts quickly to different South Africans from all backgrounds, ethnicities and ages who are united by their pride at the team’s victory. Eastwood’s message is that once-racially separated enemies are now united to celebrate a major national sporting event.
Eastwood’s portrayal of Mandela as a venerable, respected man reveals how his effective and persuasive leadership was crucial in bringing South Africa together. Mandela’s speeches are a good example. They are a mix of quick wit, erudite speeches and other hints that hint at his aim for change. Mandela appears to have a constant rapport and build solidarity with his countrymen, even though he is President. It’s evident from his description of the country as a “very big family”. 42 million’. This family concept gives the impression Mandela wants to bring all citizens together and cares about them as a dad. His highly personable side is also revealed when he personally motivates the Springboks during their training in preparation for the World Cup. His dedication to winning them over can be seen in his ability to memorize the Springboks, including their names and faces. He was even able to recognize Chester when he wasn’t at training. Mandela’s clothing reflects his closeness to the people. In the Springboks jersey, he can be seen smiling proudly and with satisfaction before the World Cup. The sharp business suits he usually wears are not present in this picture. The powerful and influential leader who supported the Springboks treated everyone like family and helped restore the nation’s broken relationships.
Invictus is a film that shows South Africa’s journey to a feeling of patriotism. Eastwood uses minor characters such as Sipho’s transformation and the Springboks’ changes to illustrate the importance of forgiveness for their current success. Mandela – the film’s protagonist – is also responsible for the inspiring input, ambition, and motivation of the film.
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